
August 31st. It's nearly here again. In a few days it'll be a year since my CD Raised In Vain/Afterthought was released.
And five years since my dad died. The event that started me writing and singing again after a break of many, many years.
It's been an odd experience. The album itself took three years to make. The process was a truly wonderful experience. It brought me closer to someone who was already up there as one of my best friends, Craig Snyder. Being my producer, and working with him that closely for such a long time was something I'll never forget. And something we'll always have.
Thanks to Craig I got to work with some superb musicians - guys who, like him, know their way around their instruments in a way I never will. I'm the lyric writer - I've never claimed to be a great musician, or singer for that matter. Larry Campbell (straight from nine years on the road with Dylan) Shawn Pelton (fitting me in between his Saturday Night Live regular gig and performing with Sheryl Crow and others) Mark Egan, Kevin Bents, Timo Elliston (who even forgave me for misspelling his name on the album!) the remarkable Eric Weissberg, Barry Miles, and the two cellists Caryl Paisner and Stephanie Cummings - they were all incredible. And they were all very kind about the songs. Believe me, none of them was paid well enough that they couldn't say no! Larry, Shawn, Mark, Timo and Kevin stayed around for the entire album. Thanks again guys. On the production side, Jon Tropea Jr., Rob Eaton and Ted Jensen made it all come together. More thanks.
I said it was a weird experience. But I didn't mean the making of the album - that was nothing but pure pleasure. The odd bit came when it was finished.
Having dreamed my whole life of putting out an album like this, I ran out of steam.
I knew that promoting an indie album would not be easy. My expectations, sales-wise, were modest to say the least. But I was determined to give it my all.
But, like so many times in my life, life got in the way of my plans. All sorts of things happened, not least of which was bringing my mother to live close to us in America. At 80 years old it's a huge transition. And she's required a lot of time and help in making it.
I also walked away from a very lucrative career in advertising. After 25 years working in major advertising agencies I was not unhappy to say goodbye. The business is not the one I joined, that's an understatement. But the money was helpful in financing all the other things I wanted to do - like making an album.
So here I am. A year later. I've sold a good few CDs. I've performed a few live gigs and gotten better each time (I hope). Prior to this my last time on stage was 1977! I was a finalist in a major songwriting competition and got Honorable Mentions in a couple of others.
But here's the question. Can a one-year-old album be considered new music? So much of what happens today is based on newness. The latest. The new thing. That's what sells. So how does a now 55-year-old songwriter get his work to a broader audience, now that all his friends, family and a good few strangers have his album and seem to almost universally like it?
Nothing has happened in the last year to diminish my faith in my work. But it's still enjoyed by only a handful of people. And although I have many new songs I cannot afford to go make another album like Raised In Vain.
But I'm not giving up. I'm not even close to that.
So do me a favor. On August 31st, play my CD. If you still like it, if that year has had no effect on the timelessness I tried to write into every song, then tell a few friends that it's still out there to be discovered.
I'm still hoping my voice was not raised in vain.

Craig recording his 12-string guitar part on Nowhere Near The Sea
Through the whole experience of creating this album I kept a diary.
On August 6th, 2006 - the day the finished CDs were delivered - I wrote:
After all these years, holding a real album of mine is unbelievable. My only sadness is that my dad is not here to see and hear it. But the truth is without him it would never have been made.